HISAISHI, Joe

Joe Hisaishi was born in Nagano, Japan. He started to show his interest in minimal music when he was a student at Kunitachi College of Music, and started his career as a contemporary music composer. Presentation of MKWAJU in 1981 and the release of his first album Information in the following year was the kickoff of his career as a solo artist. Since his debut, he has released nearly 40 solo albums, including MinimalRhythm (2009), Melodyphony (2010) and the latest solo album MinimalRhythm 4 (2021). In February 2020, he global released a collection album entitled Dream Songs: The Essential Joe Hisaishi and Songs of Hope: The Essential Joe Hisaishi Vol. 2 on Decca Gold.
Starting with Nausicaä of the Valley of the Wind (1984), Hisaishi has produced music for 10 Hayao Miyazaki films, including My Neighbor Totoro (1988) and The Wind Rises (2013). He also composed the music for HANA-BI (1998) directed by Takeshi Kitano, Departures (2008) directed by Yojiro Takita, Villain (2010) directed by Sang-il Lee, The Tale of Princess Kaguya (2013) directed by Isao Takahata, What A Wonderful Familly! series (2016/2017/2018) directed by Yoji Yamada. He has collaborated on the music production of over 80 films at home and abroad. His works have won many awards including several Outstanding Achievement in Music prizes of Japan Academy Film Prize, Spirited Away (won the Outstanding Music in an Animated Feature Production at the 30th Annie Awards), Korean film Welcome to Dongmakgol (won the Best Original Film Music Award of the 4th Korean Film Award) and Chinese film The Postmodern Life of My Aunt (won the Best Original Film Score of the 27th Hong Kong Film Award), Our Time Will Come (won the Best Original Music of the 12th Asian Film Award).
In 2001, he made his debut as a film director with Quartet, taking charge of the theme music and co-writing the script. The film was officially invited for the World Competition section of the Montreal World Film Festival. In May 2004 at Cannes International Film Festival, Hisaishi became the first Japanese musician who conducted an orchestra, performing The General (representative work of Buster Keaton) at the film concert.
Hisaishi also is well-reputed as a skilled performer, ranging from piano soloist to orchestra conductor. In July 2004, he assumed a post of first music director of New Japan Philharmonic “World Dream Orchestra (W.D.O.)”, newly formed orchestra project by New Japan Philharmonic. In September 2014, he has been working as a producer and conductor, and holding contemporary music concerts called “JOE HISAISHI presents MUSIC FUTURE”, which concert series earned him enormous popularity and records as a live album. Since 2017, he also starts to present world tour “Joe Hisaishi Symphonic Concert: Music from the Studio Ghibli Films of Hayao Miyazaki” (visiting Paris, Melbourne, San Jose, Los Angeles, New York, Prague, etc.). In July 2019, he also started leading a concert series “Future Orchestra Classics (FOC)” and released Beethoven: Complete Symphonies that was given “Special Prize” from 57th Record Academy Award Japan 2019.
In recently years, he works as a classical music conductor and also composed new works in a contemporary music style, including Contrabass Concerto (2015), The East Land Symphony (Symphony No. 1) (2016), Asian Symphony (2017), The Border Concerto for 3 Horns and Orchestra (2020), Symphony No. 2 (2021) , Metaphysica (Symphony No. 3)(2021) and Viola Saga (2022).
Hisaishi has collaborated with a wide range of artists including Philip Glass, David Lang, Mischa Maisky, and orchestra such as the Hong Kong Philharmonic, Melbourne Symphony Orchestra, Singapore Symphony Orchestra, London Symphony Orchestra, American Symphony Orchestra, Helsinki Philharmonic, Vienna Symphony Orchestra among others.
Hisaishi serves as an Invited Professor at Kunitachi College of Music. In 2009, he received the Medal of Honor with Purple Ribbon by the government of Japan. In 2016-2018 seasons, he assumed the Artistic Director of Nagano City Arts Center. 
He holds two new positions, as Composer in Residence and Music Partner with New Japan Philharmonic Orchestra which started in September 2020, as Principal Guest Conductor with Japan Century Orchestra, which started in April 2021, and as Composer in Residence with Seattle Symphony Orchestra from 2023 season.  And he is a Music Director designated with Japan Century Symphony Orchestra starting 2025 season.
His unique inputs to the concerts as a contemporary musical composer are highly appreciated and his continuous enthusiasm for musical activities that go beyond ordinary creative work is anticipated worldwide.